Control Room

13’ x 19’ x 8’

2’ x 4’ window adjacent to the main recording room

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Live Room

19’ x 21’ x 8’

Adjustable Acoustics (wall and ceiling panels that are reversible and moveable)

24 sends / 8 returns / 3 cab connectors

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Closed-off studio / Rehearsal Room: drums, cabs, vocals, etc

16’ x 13’

8 sends / 2 returns / 2 cab connectors

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Iso Booth

8’ x 4’ x 8’

2 sends / 1 returns / 1 cab connector

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EQUIPMENT

Microphones

1 Blue Kick Ball
2 AKG D20
2 Oktava MK-012
1 Shure SM7B
1 Sennheiser 421
4 Shure KSM 137
1 Golden Age GA Project Mk2
2 Rode NT5
2 Rode NT1-A
2 Shure SM57
2 Shure Beta 57
2 Shure SM58
2 Shure Beta 58
2 Shure Beta 52A
3 Electro-Voice ND 468
1 Apex 420
2 BeyerDynamic Opus 39
4 Countryman Type 85 DI

Preamps

Summit Audio 2BA-221
Midas Pro4M (12 canaux)
Groove Tube The Brick

Sound Processors

4 Aphex Expressor
TC Electronic M2000

Converters

Soundscape iBox 48-AA
RME RayDat HDSPe

Studio Monitors

Near Field

Neumann KH120

Headphones

AKG K240
Sony MDR-7506
KRK KNS8400
Audio Technica M30

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INSTRUMENTS

Crush Drum Chameleon Ash (Sabian AAX)

Fender Telecaster

Fender Jaguar

Paul Reed Smith

Fender Rhodes (1972)

Hammond M3

Fender Bassman 100 (1973)

Fender Bandmaster 60 (1973)

Ampeg B2R

Traynor YCV80

Marshall JCM900 2×12

Orange Crush 10

2 x Cabinets 1×15

Cabinet Ampeg 4×10

Cabinet Hohner ORT100 (Leslie)

Numerous Effects Pedals